Also available at our Artifacts Shop and Norman Records:
The album plays as one continuous 40 minute piece, which is made up of 12 tracks. Preview individual tracks via the Music tab and at:
1) Dark days. 00:00.
2) Fractures. 03:16.
3) Plaintive Resonations. 06:06.
4) Future Dissolvation. 09:41.
5) Airborne At Five Minutes To Midnight. 13:13.
6) In The Midnight Sun. 15:52.
7) A Moment Of Optimism. 18:41.
8) The Experiment Ends. 23:20.
9) After The Dream. 27:06.
10) When Did It All Break? 32:21.
11) A Revisiting Of Familiar Tropes. 35:52.
12) A Fanfare And A Last Hurrah. 38:31.
No More Unto The Dance is a reflection of nightlife memories and the search for the perfect transportative electronic beat; a collection of reverberations that have fragmented with the passing of time.
It is a document of life once lived in the very heart of metropolises, immersed in their subcultures: a time that was predicated in part by a passion for club culture, dancing, dressing up and related explorations carried out with the obsession, enjoyment and energy of youth.
Much of that gradually (or sometimes not so gradually) faded away or took other pathways.
The world in which this recording was made does still come alive at night but it is more likely to be the nocturnal foraging and wanderings of wildlife rather than in a low-ceilinged basement lit by a strobe light.
The music presented here is the soundtrack to those basements, filtered through the looking glass of a life far removed from the bright lights and big city, the dressing up and dancing but a memory - a world far, far apart, almost that seems to belong only to the worn and aged pages of a faded, forgotten magazine.
The journey it takes envisions a mixtape of memories and echoes of those pages, of 12”s bought because of the primal rush their electronics would bring on when listened to in a record shop, the lucky dip of unknown records bought hopefully from the racks of bargain basements, the more abstract/triphop beats to be found in intriguingly designed/obscure sleeves and to times lost in the seemingly endless dreams of a club; a time when the future burned with the brightness, optimism and idealism of youth.
Artwork/packaging design by AYITC Ocular Signals Department.
Audiological Transmissions Artifact #5
Library Reference Numbers: ATA005N / ATA005D
More details here:
"A taking by the hand journey down dimly lit back alleys into signless word of mouth back rooms and basements where inside sounds come wired to the hive mind pulse of the underground, a place where Add N to X ghost lights prickle with ominous intent amid a palette populated by LFO trancetones, motoric murmurs, psychotronic disturbias, radiophonic echoes, kosmick pulsars, serene ambient flurries and soundscapes siren calling futureworld dystopias."
Mark Barton / The Sunday Experience:
“…never loses sight of the beat, the heartbeat that every great club has (or had), that gave every one its own sense of purpose and desire, be it a prohibition speakeasy or a chill-out room in a rural barn... Such imaginings are haunting, layering one another with emotional imagery that cannot help but lead the ghosts onto the floor, a disco queen here, a rave scene there, the scent of northern soul, the smell of teen spirit. By the time it’s over, you feel as though you’ve been dancing all night; by the time you’ve recovered, you want to do it again.”
Dave Thompson in his Spincycle section at Goldmine Magazine:
On previous A Year In The Country releases:
"A year in the country quietly go about their business releasing beautifully packaged music that is influenced by folk, electronica, drone as well as by landscape, time and place. These... compilations each have themes running through them, tying the music together and seemingly telling a story as they unfold." Terrascope
"…one imagines such editions being buried in time capsules or cemented in stone walls for future generations to mull over: sedimentary layers of history..." A Closer Listen